22 663 безплатни аудиофайлове за "Arrangements Of Music Composed By Johann Sebastian Bach"

The "March of the Mogul Emperors" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

The "Menuetto" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

Movement III, "March", of Gustav Holst's famous First Suite in E-flat for Military Band. Performed by the U.S. Marine Band.

The "Warrior's Dance" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

Movement II, "Intermezzo", of Gustav Holst's famous First Suite in E-flat for Military Band. Performed by the U.S. Marine Band.

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: II. "Jeux de vagues" performed by the Concert Band of the United States Air Force Band. Track 10 from French Impressions (2000).[1][2][3][4]

Debussy Reflets dans l'Eau opening 2 bars

Sonata f minor, Domenico Scarlatti, Kirkpatrick 466, Kirnberger temperament, digital harpsichord (Yamaha CLP-470) Sonate f-Moll, Domenico Scarlatti, Kirkpatrick 466, Kirnberger-Stimmung, digitales Cembalo (Yamaha CLP-470)

Rossini's "La Danza" performed by Enrico Caruso

Cello Sonata, op. 19, composed by w:en:Sergei Rachmaninoff in 1901. Excert from fourth movement.

The "Intermezzo" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: III. "Dialogue du vent et de la mer" performed by the Concert Band of the United States Air Force Band. Track 11 from French Impressions (2000).[1][2][3][4]

piano composition "Humoresque", Op. 10, No. 2

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: I. "De l'aube à midi sur la mer" performed by the Concert Band of the United States Air Force Band. Track 9 from French Impressions (2000).[1][2][3][4]

John Philip Sousa's "The Rifle Regiment", performed by the U.S. Army Band

John Philip Sousa's "The Invincible Eagle", the interim march of the United States Space Force, performed by the U.S. Army Band

Pieśń Prząśniczka na podstawie śpiewnika Trzeci śpiewnik domowy z ok. 1890 roku.

Ballada Trzech Budrysów na podstawie druku muzycznego 'Trzech Budrysów : Ballada A. Mickiewicza z ok. 1860 roku.

Pieśń Prząśniczka ze śpiewnika Trzeci śpiewnik domowy z ok. 1890 roku.

Klarinettenkonzert A-Dur - Allegro, KV 622

Clarinet Concerto KV 622, 1st mvt. (allegro)

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. No equalization performed here on the recording produced from a TASCAM DR-100MKIII using its internal electret condensor microphones.

Franz Liszt's Hungarian Rhapsody No. 6 in D-flat major (arranged for wind band) performed by "The President's Own" United States Marine Band. Performed by the Marine Band on Jan. 5, 2014, at George Mason University's Center for the Arts Concert Hall. Col Michael J. Colburn, conducting.

Klarinettenkonzert A-Dur (adagio) Clarinet Concerto KV 622, 2nd mvt. (adagio)

First Suite in E-flat for Military Band, Op. 28, No. 1: III. March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 5 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

First Suite in E-flat for Military Band, Op. 28, No. 1: I. Chaconne performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

First Suite in E-flat for Military Band, Op. 28, No. 1: II. Intermezzo performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the sixth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three published in 1893, and the second piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. Recorded with a TASCAM DR-100MKIII using its internal electret condensor microphones and then processed through sox with treble -4 bass +11.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the seventh piece of what ultimately became seven works that shared the name Gnossienne. It was recently discovered, was not dated, and was not explicitly named Gnossienne or numbered as such. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three published in 1893, and the third piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Domenico Scarlatti: Sonata K10 performed by David Joseph Stith on a Flemish harpsichord built by Gerald Self in 2020.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fourth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Basse de Cromorne, de la suite pour orgue en ré majeur.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three published in 1893, and the first piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

sound sample of Tchaikovksy's Francesca da Rimini

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fifth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 2) Music genre: Tone poem

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Die Spröde - (b) Die Bekehrte Genre: Tone poem

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 1) Music genre: Tone poem

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Blumengruss - (b) Gleich und gleich - (c) Frühling übers Jahr Genre: Tone poem

Romance, composed by Sergei Rachmaninoff in 1887. See Romance - Rachmaninoff.png.

Debussy Gymnopedie 1, arrangement of Satie’s Gymnopedie 3.

This is a 55 seconds music file, extracted from Pyotr Ilyich Tchaikovsky's "Hamlet Op. 67" Ouverture, composed in 1888. I uploaded it in order to prove that the well known melody "Autum Leaves" composed in 1945 by Joseph Kosma was in fact plagiarized from Tchaikovsky. Ce fichier est un fragment de 55 secondes extrait de l'ouverture fantaisie "Hamlet" Op. 67, composée en 1888 par Piotr Ilitch Tchaïkovski. Je l'ai déposé sur Wiki pour montrer que le thème de la célèbre mélodie "Les feuilles mortes" de Joseph Kosma (1945) est plagié sur Tchaïkovski.

Anacrusis in Boccherini's Minuet.

Intricate ornamentation in Op 27, No 2

Lully; Minuet from "the temple of peace"

Viva la Musica, canon by Michael Praetorius

Alice Guszalewicz sings the Komm' o Hoffnung aria from Beethoven's Fidelio